On April Fools’ Day our record label, Super Weird Substance, is hosting its most ambitious event to date – a 14 hour long Happening that takes over The Florrie, a stunning Grade II Victorian community heritage venue in Liverpool.
Tag Archives | Alan Moore
Anyone who’s been following the blog during recent times will be in no doubt of my admiration for John Higgs’s ‘The KLF: Chaos, Magic And The Band Who Burned A Million Pounds’, a book like no other, full of incendiary ideas and inspiration – a proper mindsparker. I wrote about it here:
First up I have to say that fortune favours the brave, and Daisy Eris Campbell and her brilliant cast and production crew are destined, I’ve no doubt, to really make their mark via ‘Cosmic Trigger’, a bold adaptation of the Robert Anton Wilson book. Hugely ambitious in its scope, the 4 hour play now moves to London where there’ll be performances at LOST Theatre in SW8, kicking off tonight and running through until Saturday – needless to say that it’s highly recommended. The backstory to all this can be accessed via ‘The Gateway Drug’, which you can read here:
I’m all about connections. What really turns me on is when two previously separate areas of interest suddenly collide head on thanks to the discovery of a new piece of information. The connections are already there, it’s just that we’re blind to them much of the time, so when John Higgs, the author of ‘The KLF: Chaos, Magic And The Band Who Burned A Million Pounds’, does the detective work and pieces of the jigsaw fall together in a way that reveals a different picture to what we may previously have envisaged, that’s a deeply nourishing feast for me.
Sometimes you share in an extra-special gathering that, even just a few days later, leaves you wondering ‘did that really happen?’ Such was the case with the Super Weird Substance Record Store Day event that was held at Dry Bar in Manchester last Saturday.
“Man goes to doctor. Says he’s depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says ‘treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up.’ Man bursts into tears. Says ‘but, doctor…I am Pagliacci.’ Good joke. Everybody laugh. Roll on snare drum. Curtains.”
Alan Moore ‘Watchmen’ (1987)
Move on up
Towards your destination
Though you may find
From time to time
Loving this performance by Kiwi artist, Kimbra at this year’s SXSW (South By Southwest) music festival / conference in Austin, Texas. It’s a joy to see someone pushing the envelope within the Pop arena – helping reclaim it as a means of innovation rather than, more often than not these days, pale / stale imitation.
Alan Moore remains a constant source of inspiration, and since my last post referring to his work, ‘The Masked Movement’ (http://blog.gregwilson.co.uk/2011/12/the-masked-movement/), I’ve read some more of his books, as well as listened to numerous interviews courtesy of the wonderful world of YouTube.
I started writing this before I headed off on my travels to Hong Kong, Australia, New Zealand and back to Australia again (concluded on my return home, having made notes along the way). I’ve been very preoccupied with time, or, to be more precise, the lack of it – this is where my head was at: