Back in 1975 a single appeared on the United Artists label in the US by a new band called Banbarra, entitled ‘Shack Up’. It addressed one of the burning issues of the day, something that had been highlighted during the sexual revolution of the ’60s – co-habiting with a partner outside of wedlock, or what was more commonly referred to as ‘living in sin’.
Tag Archives | A Certain Ratio
Been meaning to get this amended article onto the blog. It’s something I originally wrote back in 2003 for Grandslam magazine as a feature revolving around the release of 2 No Wave compilations at the time, one on the re-activated ZE label, the other on Soul Jazz. The piece was originally published under the title ‘When Punk Met Funk’.
The most talked about album in many years, Daft Punk’s ‘Random Access Memories’, is released in the UK today, and, as discussed in my post from the beginning of the month, ‘Disco Now Disco Then’ (http://blog.gregwilson.co.uk/2013/05/disco-now-disco-then-2), it’s all set to blitz the charts worldwide.
It’s 2013 and Coldcut duo Jonathan More and Matt Black are celebrating the 25th anniversary of their Solid Steel radio show. To mark this milestone, a number of selectors have been invited to contribute a mix to the programme, its presenters choosing various artists and DJs they feel have had a significant presence at some point during the last 25 years. I regard it as a big compliment to be one of those approached, so was more than happy to oblige, the only brief being that they wanted us to weigh in with something that sits outside of that for which we’re generally known, which suited me fine – it was just a case of what?
Really shocked to hear that one of the great New York DJs, Mark Kamins, died in Guadalajara, Mexico last Thursday (Feb 14th) following a heart attack – he was only 57. Although our paths nearly crossed almost 30 years ago, it wasn’t until 2007 that I finally got to meet Mark, when he came to see me play in Vienna, where he lived at the time, and then again in Paris in 2009, after he’d moved there. Having returned to his home city, we planned to hook-up in New York 2 years ago, when I was over for Brooklyn’s Mister Saturday Night, but he emailed to inform me that he was on the move again, having landed a new job tutoring on electronic music at a university in Guadalajara.
During the 1980s Morgan Khan was viewed as a ‘dance music mogul’, a true instigator who enriched British culture via his unyielding efforts, driven by ‘an ego’, as Blues & Soul once put it, ‘bordering on the manic’ – Khan was (and remains) a force of nature. The fact that his absolutely pivotal contribution to the UK dance movement is constantly ignored remains a great travesty. If you know nothing about his Street Sounds label your knowledge of how dance culture developed in this country is terminally flawed – it’s as simple as that.
As I navigated the winding country lanes on my way to the M5 from Minehead, where I’d been playing the Sunday night 1.00am-3.00am closing slot / graveyard shift at the inaugural ‘House Of Fun’ weekender, I was pleased to discover that there was a programme on the radio about the JFK assassination 48 years ago in 1963. Always a subject of fascination, this would help me whittle away half an hour of journey time as I weaved onwards towards the motorway.
ARTIST: PRIMAL SCREAM
This Sunday (April 3rd), at 9pm, you’re invited to share a listening session with some likeminded souls, wherever you might be. This can be experienced either alone or communally, and you don’t need to leave the comfort of your own home to participate. Full lowdown here:
I was asked earlier this year by the Australian based blog Spank! to write about five tracks that had inspired me and, with the proviso that “it could have been many others, but I decided to go with these five”, I spread my selections over a sequence of black music styles spanning a two decade period, from Soul through to House: