The current DJ Mag carries a 4-page feature, ‘Close To The Edit’, about the re-edits scene and how, from being very much an underground activity, the domain of a relatively small number of DJs, it’s grown into a global movement – really hitting its stride with the emergence of SoundCloud following its 2008 launch, with re-edits now firmly established as a DJ staple in clubs throughout the world.
Secret Life have just published my selection of ’20 Choice Edits & Reworks’. It’s the 5th annual list I’ve compiled, with Secret Life providing individual inclusions whenever possible:
Secret Life have just published my ’20 Choice Edits & Reworks’ from the last year. It’s the 4th annual list I’ve compiled, with Secret Life providing links to each individual selection (wherever possible): http://secretlifemusic.com/greg-wilsons-choice-edits-reworks-2015/
I first met Dan McLewin and Tom Coveney from Psychemagik when we were on the same line-up at Fabric in London at the start of 2011. They’d just pressed up their now classic edit of ‘Everywhere’ by Fleetwood Mac, and they’d subsequently credit Tom Middleton and myself with helping the record blow up big style on the following summer’s UK festival circuit, as well as over in Croatia at the Garden Festival, where it quickly gained anthemic status.
With all the things I want to do, something always has to give, it’s an ongoing juggling act. By 2012 I was flat out, not only with the DJ side of things, but the blog had really taken off and had begun to take up a lot more time than I’d initially envisaged. On top of this I was still no closer to my aim of moving back into production and developing my own recording projects – a long process which is finally coming to fruition this year, with the first releases on my label, Super Weird Substance, due ahead of the summer months (the blog itself having had to take more of a back seat whilst we pushed this through). So back there in 2012 the only thing to do was stop taking on remixes for a while, just to help clear a bit of space in my world and work out where my priorities lay moving forward. My remixes up to this point can all be found here:
The Secret Life website has just put up my ’20 Choice Edits & Reworks For 2014′. It’s becoming something of an annual occurrence, this being the 3rd year that Secret Life have hosted the list, each inclusion complete with its own SoundCloud embed so you can hear all the individual tracks. Check it out here:
Back in 2004 Sav Remzi, then one of the leading figures on London’s underground dance scene, booked me to play at the TDK Cross Central Festival at The Cross, one of the venues (now long gone) then situated in the goods yard behind Kings Cross Station in London. I remember Maurice Fulton also appeared – it was the first time I’d seen him play.
‘The Construct’, the opening track from the Blind Arcade Meets Super Weird Substance In The Morphogenetic Field mixtape, which is fast approaching 50,000 SoundCloud plays, is the subject of both a video, produced and directed by Elspeth Moore & Philip Lyons, and an ‘acid rework’ by Peza.
During the last few months I’ve been particularly swamped, working hard on a project that I can happily say has now reached fruition as ‘Blind Arcade Meets Super Weird Substance In The Morphogenetic Field’ – a mixtape featuring 19 tracks, mainly recordings by Blind Arcade. It’s just been made public on SoundCloud, having been shared privately with friends and supporters over the weekend, and we’ve been so happy to see how quickly it’s being embraced in these past 24 hours. It’s available here as a free download:
It’s 10 months since I blogged about the first 2 A&R Edits releases, issued simultaneously on DJ only limited 12” vinyl. Since then there have been 3 further additions, with another to follow next month, making 6 releases in all, each containing 2 tracks.