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Archive | My First / My Favourite

Bowie – My First Great Obsession

Brixton Bowie by Micha Theiner

I wanted to write in greater personal detail about David Bowie and the depth of impact his music and words had on me during my formative teenage years – this occurring when I was between the ages of 12 and 15. I’d uploaded a blog post once I’d heard about his death, but I’ve found myself needing to revisit what was a magical mystical part of my musical / life initiation, as much for myself as anyone else, both by listening through the records I loved, and still love, whilst getting it all into words somehow. Once I started writing this I couldn’t contain it – it was bursting out of all sides. So please excuse me for the tangents I go off on and the jumping about – there’s no easy coherent way for me to express this. For a period following his 6th July 1972 ‘Starman’ performance on Top Of The Pops, until 1975, when I began to disengage, Bowie ruled ok in my world.

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My First Record

For my 50th blog post, I’m going to return to the ‘My First…’ theme that was so well received (‘My First 12”’ and ‘My First X’, both back in July), and ask an even more obvious question – what was the first record you ever purchased (the one you paid for with your own money, rather than it being bought for you – be it 7”, LP, 12”, cassette, CD or even eight-track)?

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My First X

Following on from the ‘My First 12”’ post, which has been receiving such a big response, can you remember what was the first X (or 18) rated film you saw? For people around my age and older this would have been at the cinema, for those a bit younger probably on video, and for those younger still on DVD (no doubt it’ll be via the internet for many people these days).

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My First 12″

From Time Capsule – Aug 1976.

In August ‘76 the postman delivered what I originally thought was an LP, but, on closer inspection, discovered to be a 12” single’ – the first I’d ever seen. It included 3 tracks from the Lalo Schifrin album ‘Black Widow’ – on one side ‘Flamingo’ and ‘Quiet Village’, with the other side taken up by what would become a big UK club track, ‘Jaws’ (Schrifin’s discofied adaptation of the theme music from the 1975 blockbuster movie, which provided director Steven Spielberg with his major breakthrough). It was sent to me by the club promotion company M.I.F.

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