Just uploaded the 6th digital edition of the Discotheque Archives series I’ve been putting together for DJ Mag with the help of Josh Ray. Each month it focuses on a classic DJ, a classic club, a classic record and a classic record label – these are generally a combination of US and UK, with the odd European inclusion, each concerned with aspects of pre-Rave club culture.
The fifth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
The fourth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
The third edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
The second edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Last December, whilst I was in London to collect the DJ Mag Industry Icon award at their Best Of British event at Heaven, editor Carl Loben and digital editor Charlotte Lucy Cijffers approached me with the idea of writing a regular column for the magazine focusing on various aspects of the history of dance culture during the pre-Rave era, taking in the ’60s, ’70s and ’80s.
Exactly 30 years ago today, on 25th February 1983, I appeared on Channel 4’s influential music show, ‘The Tube’, demonstrating mixing for the first time on live TV in the UK – just my luck that the very point I was encapsulated in a cultural moment, it coincided with a brief phase where I looked like an extra from the Hair Bear Bunch, but that’s the way the mop flops. The footage is nowadays fondly regarded as part of British dance heritage, illustrating how the New York innovation of mixing was finally finding favour on this side of the Atlantic, where the microphone was still a key component of the DJs approach. For a full account of how UK DJs gradually put down the microphone and embraced mixing, check out ‘How The Talking Stopped’, an in-depth step by step account of its British evolution:
EDM (electronic dance music), as they like to call it in the US, has never been bigger, America now fully embracing it, having previously regarded it as a little more than a side-issue, always the bridesmaid and never the bride. Now, the more curious minded dance music enthusiasts Stateside, wishing to avoid the mainstream commercialisation of a previously more underground club culture, are, often for the first time, excavating the mid-late ’80s period, when Chicago House and Detroit Techno emerged (finding far more love at the time in the UK and Europe, than in the country of its origin).
Just wanted to give you a heads-up on the new Electronic Magazine, the first issue of which was recently published. The brainchild of Push, who edited Muzik between 1995 and 1998 (having previously been a writer for Melody Maker), Electronic could be described as a Mojo for the electronic generation.