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Archive | DJ / Club Culture

Joey Negro – A Personal Selection Of Electro Classics

Electro

I’ve written / adapted some sleeve notes for the new Joey Negro / Z Records compilation, which I’ve reproduced below. The album is available now on CD and digital, whilst there’s also a vinyl double-pack available, featuring 8 of the tracks, 2 per side. You can purchase the various formats here:
http://www.zrecords.ltd.uk/product-detail///Z+Records/Various+Artists/Electro+compiled+by+Joey+Negro/cd/387

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Re-Edit Culture – A Potted History Of The DJ Manipulator

Reel To Reel Room

Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’:
https://www.youtube.com/watch?v=8UQK-UcRezE 

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6 Seminal DJs

6 Seminal DJs by Pete Fowler for Greg Wilson's Discotheque Archives @ DJ Mag

Just uploaded the 6th digital edition of the Discotheque Archives series I’ve been putting together for DJ Mag with the help of Josh Ray. Each month it focuses on a classic DJ, a classic club, a classic record and a classic record label – these are generally a combination of US and UK, with the odd European inclusion, each concerned with aspects of pre-Rave club culture.

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Life And Death On The New York Dance Floor 1980-1983

Life And Death On The New York Dancefloor

Back in the early 2000s, when I began to explore the internet properly, discovering a number of DJ forums discussing dance culture and its history, it was clear that the early ’80s had been largely obscured. This was the period that followed the supposed death of Disco in 1979 (prompted by the vitriolic racist / homophobic ‘’Disco Sucks’ campaign fronted by WLUP Chicago shock jock Steve Dahl), and preceded the emergence of House music during the mid-’80s.

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Hedonism 1988

HEDONISM LOGO

Whilst London’s Acid House era is defined by nights like Shoom, Spectrum, Future and The Trip, there was also a crucial off-the-beaten-track warehouse party in Alperton near Wembley called Hedonism, which helped define the spirit of the era. Although there were only a quartet of gatherings in all, taking place between February and May ’88 (the event originally intended as a one-off), their impact would resonate throughout the capital.

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Greg Wilson’s Discotheque Archives

Discotheque Archives

Last December, whilst I was in London to collect the DJ Mag Industry Icon award at their Best Of British event at Heaven, editor Carl Loben and digital editor Charlotte Lucy Cijffers approached me with the idea of writing a regular column for the magazine focusing on various aspects of the history of dance culture during the pre-Rave era, taking in the ’60s, ’70s and ’80s.

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