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5 Re-Edit Tips

Greg Wilson's 2020Vision

The current DJ Mag carries a 4-page feature, ‘Close To The Edit’, about the re-edits scene and how, from being very much an underground activity, the domain of a relatively small number of DJs, it’s grown into a global movement – really hitting its stride with the emergence of SoundCloud following its 2008 launch, with re-edits now firmly established as a DJ staple in clubs throughout the world.

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Re-Edit Culture – A Potted History Of The DJ Manipulator

Reel To Reel Room

Back in 1966, The Beatles’ record producer, George Martin, executed my favourite singular edit of all time. John Lennon had been working on the now iconic ‘Strawberry Fields Forever’ – he’d recorded 2 versions, and was faced with the dilemma of wanting to use the first section of one recording, but take the rest of the track from a completely different and more progressive version. His comment to George Martin, when the producer pointed out the difficulties of matching pitch and tempo, was ‘you can fix it’. The fixed version is the definitive one that we all know, two recordings perfectly merged together by one decisive splice. You can hear it, if you listen carefully, at just before the minute mark, on ‘going to’:
https://www.youtube.com/watch?v=8UQK-UcRezE 

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Banbarra Unmasked

shack-up

Back in 1975 a single appeared on the United Artists label in the US by a new band called Banbarra, entitled ‘Shack Up’. It addressed one of the burning issues of the day, something that had been highlighted during the sexual revolution of the ’60s – co-habiting with a partner outside of wedlock, or what was more commonly referred to as ‘living in sin’.

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