This photo popped up on Facebook recently, taken by Mark McNulty, whose visual documentation of Liverpool’s club/music scene of the past 3 decades is now part of the city’s cultural legacy. It’s a photograph of a record cabinet Bill Drummond made following the death of Roger Eagle in 1999, which was displayed under the title ‘Dead White Man’ in the Jump Ship Rat, an alternative gallery space in Parr Street during Liverpool’s inaugural Biennial Festival that year, but not as part of the official programme, more an anarchic fringe event.
Author Archive | Greg Wilson
I’ve had a new run of t-shirts made with NoWayBack. Dom Mandrell’s previous designs have proved popular in the past so I asked him to create something from an old photo I had done. What he came back with looked great so we’ve got a limited run of brown and navy, available here:
Place your orders by next Thursday, to ensure you get a t-shirt from the limited run.
Just come across a few paragraphs I wrote as part of my Time Capsule series, where month by month I compiled a selection of the tracks I was playing back in the ‘70s when I started out as a DJ, writing accompanying text about the music featured and my own progression within the local club scene on Merseyside, and more specifically my hometown of New Brighton. I managed to cover the period January 1976 (December 1975 if the prequel, ‘First Impressions’, is included) to September 1977 (each edition originally put together exactly 30 years on, between Jan ‘06 – Sept ‘07) but the process became too time-consuming to maintain, at a point when my DJ trajectory had really built momentum.
The seventeenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
In January 2012 I received an email from Lee Perry. My first thought was ‘surely not’, but it wasn’t – this was the other Lee Perry, not Scratch but Wolverhampton’s very own Peza.
The current DJ Mag carries a 4-page feature, ‘Close To The Edit’, about the re-edits scene and how, from being very much an underground activity, the domain of a relatively small number of DJs, it’s grown into a global movement – really hitting its stride with the emergence of SoundCloud following its 2008 launch, with re-edits now firmly established as a DJ staple in clubs throughout the world.
The sixteenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
We’re trying something a little bit different in Liverpool next Sunday (August 6th) with an all-day get together at District & YARD (the venue’s recently opened outdoor area), under the banner of ‘Remember Love’ – a social gathering of friends, family, fellow fools and the faithful on a chilled-out summer Sunday in the Baltic Triangle.
The fifteenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
I’d meant to put this up back in May, 40 years after the record in question was released, but didn’t manage to get around to it. I wanted to highlight my Time Capsule series, which I put together for a series of 21 monthly episodes spanning January 1976 to September 1977. Each month consists of a podcast, nowadays available to stream via Mixcloud, featuring the dance music played by myself and other UK DJs back then. This was accompanied by text, where I talked about the tracks and the artists featured, whilst outlining my early days as a DJ.