One of Rock’s iconic figures, former Velvet Underground frontman Lou Reed, died yesterday, aged 71. His death was reportedly due to a ‘liver related ailment’ (Reed had undergone a liver transplant earlier this year).
Archive | October, 2013
I was over in Amsterdam last weekend for ADE, one of 300,000 visitors to the city from countries all over the world for its 18th, and most successful, dance music festival / conference to date. During recent years the Amsterdam Dance Event has superseded the Winter Music Conference in Miami as the main annual gathering point for the dance music industry to schmooze and network – it’s a destination where the dreams and schemes of a multitude of DJs / producers are prevalent, as they arrive in the hope that they’ll meet up with someone who can give them their big break, or at least help them along their career path.
A couple of months ago, when I last played in Brighton, I was talking to Paul Budd, the promoter (and DJ Pablo Contraband), about how things were going with his Unity Agency (a man of many fingers in pies is Paul / Pablo). He was really excited about just having added The Reflex as the latest addition to an increasingly impressive roster that also includes the likes of Late Nite Tuff Guy, Rayko, Social Disco Club and Fingerman. The Reflex is London based French DJ / Producer, Nicolas Laugier, and it wasn’t just his work that impressed Paul, but his overall persona. Paul told me;
Just finished a captivating and, to my mind, long overdue book, which covers the history of black music in the capital spanning (almost) 100 years, the recently published ‘Sounds Like London’. By bringing all the threads together, its author, Lloyd Bradley has made a telling contribution to our understanding of how British black music evolved, following the lineage of its direct influences in the Caribbean and Africa, in juxtaposition with the impact of African-American innovation throughout the 20th century.