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Festival Season Comes To A Close

Where am I?
In The Village.
What do you want?
Information.
Who are you?
The new No.2.
Who is No.1?
You are No.6.

The summer officially ended for me last Saturday with my final UK festival appearance of 2013 at Festival No.6, named after Patrick McGoohan’s character in the cult ’60s TV series ‘The Prisoner’, filmed largely in Portmeirion (aka ‘The Village’), the truly wondrous Italian fantasy creation of architect Clough Williams-Ellis, who designed and built it over a 50 year period (1925 and 1975).

Set in a sensationally scenic spot tucked away on the North Wales coastline, No.6 is a festival like no other, ‘The Village’ plus the surrounding fields and woodland providing a uniquely surreal environment in which to party and peruse. I took the opportunity to spend a few days on site with friends and family, and every one of them, despite having to brave some of the less comfortable aspects of the oh so variable British weather, namely the wind and the wet, had themselves a ball.

Apart from my DJ spot on the Saturday night, I also gave a talk earlier in the day as part of the Salon No.6 programme in the Town Hall. Salon have held regular events in London since 2008, inviting specialists from the worlds of science, the arts and psychology to contribute to their insightful cultural showcases – it’s the brainchild of Juliet Russell, who’s a long-time friend, and Helen Bagnall, and this was my 2nd Salon (the first being at last year’s Standon Calling Festival in Hertfordshire).

I spoke about the 25th anniversary of the ‘Second Summer Of Love’ and events leading up to it, a subject I touched on in the recent Shoom blog post (http://blog.gregwilson.co.uk/2013/09/shoom-summer-of-love/). It was a half hour talk and passed by a lot quicker than I’d thought it would. I’m still something of a novice when it comes to public speaking, and find it really difficult to gauge time, but I managed to fit most of what I’d wanted to say in there (although you can’t help but kick yourself for the things you forget to mention).

Having caught up with Bernie Connor, a one man font of musical knowledge if ever there was one, who was playing the tunes with Justin Robertson down by the seafront on the Stone Boat, later that afternoon, in the stunning surroundings of the Central Piazza I watched another old friend, Kermit (formerly of the Ruthless Rap Assassins and Black Grape) make his festival debut as a poet. He was on the bill with the great John Cooper Clarke, the Salford born ‘punk poet’, who we’d bumped into over breakfast back at our guest house that morning, my son all the more impressed by this chance occurrence given Cooper Clark’s Arctic Monkeys credentials (for the closing track of their new album, ‘AM’, they adapted his poem, ‘I Wanna Be Yours’, putting it to music). There was lots of love for Kermit, dapper in suit and tie, and he did himself proud – Tigger has got his bounce back with interest and, having made it back from the brink by the skin of his teeth, this is now a man very much on a mission – a prime example of someone who has lived to tell the tale. And it’s not that he’s moved away from music, quite the contrary – he’s back with a vengeance, bringing 2 potent new projects to the boil, Blind Arcade and The Footprint. 2014 is destined to be a big year for Kermit.

My own gig was the closing slot at the Late Night Pavilion, housed in one of the big tops. I played between 1am–3am, following on from Norman Jay and Balearic Mike, and everything was perfectly set – the environment, the audience, the overall festival itself with the stardust it emitted. I was really taken aback with the ovation I received when I’d finished, for I was aware of a major obstruction to the vibe I’d hoped could be generated in there. Before I’d gone on I was informed that noise restrictions had been imposed, and that the sound engineer was under strict instructions not to let things go above a certain level. Whilst I was on, a few people at the front of the stage managed to catch my attention to tell me it needed more volume out there, but there was nothing I could do about it – I just hoped it wasn’t spoiling peoples’ enjoyment. This is something that clearly needs addressing next year – as a DJ, you can’t help but feel frustrated, not to mention awkward, when you’re restrained to low volume, especially when you’re aware that, elsewhere on the site, earplugs had been given out to those attending the uber-loud My Bloody Valentine gig a few hours earlier. It clearly needs a re-think re the positioning of these stages to enable the extra level required.

So, given my concern that the lack of volume might transfer into a feeling of anti-climax, the crowd’s response reassured me that, in the age old British manner, people had made the best of the situation, and boogied down regardless of the Blue Meanies who were infringing on their fun. The full recording is now available to stream / download via SoundCloud – so PLAY LOUD!

You can never guarantee the weather in this country, especially in September, so Festival No.6, unless it changes to an earlier date, which I doubt is possible, will always be an event that demands you come prepared for the worst, so that when you do get a lovely day, as we did on the Saturday, it’s enjoyed as a bonus. With extreme weather conditions forecast on the Sunday, and a (bogus) rumour going around the campsites that the festival may have to be cancelled, a lot of people didn’t take the risk of sticking around and, more than happy with their experience thus, they cashed in their chips and headed home. However, as things worked out, the worst of the weather had passed by the afternoon and, as the proprietor of the guest house told me as we were checking out, any talk that the festival may be cancelled was a complete overreaction. He suggested the people who’d gotten off pretty sharpish should have given it a few hours, at which point the skies would be clear again. As it turned out, he was bob on.

I’ve no doubt that, given the tremendous goodwill the event has generated in its first 2 years, next year it’s going to be a case of get your tickets early, or you might not be able to get them at all. Festival No.6, with its family friendly vibe, is the perfect way to bring the curtain down on a summer of memorable festival appearances for me – one last blow out before Autumn begins and the cold nights close in.

Big up to all our crew (Cerri, Ché, Gav, India, Lou, Sarah, Savannah, Tim and Tracey), it was great to spend a truly spellbinding weekend with you in this enchanted environment. Also, thanks to Zoe, Daisy and the guys from ground transport for looking after us.

Finally, to all of you who’ve turned out for my festival appearances during these past 3 months or so, at Detroit Movement. Donegal Sea Sessions, Glastonbury, Croatia Garden Festival, Lovebox, Wickerman, Standon Calling, Bestival and Festival No.6 – it’s certainly been a special summer, and a pleasure to share the vibes with you all. Some of the mixes are available to stream / download here: http://soundcloud.com/gregwilson/sets/festival-appearances-2013/

Portmeirion Wikipedia:
http://en.wikipedia.org/wiki/Portmeirion

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9 Responses to Festival Season Comes To A Close

  1. Alex September 19, 2013 at 12:35 pm #

    Hi Greg, I was also blighted by UK noise limits playing at Beatherder this summer. Do you think there are any ways the UK music community can come together to address this?

    It’s really starting to spoil my enjoyment of UK festivals when you can hear music at a higher level in your own home. 90dB limit post 2am meant my monitor was louder than the rig… Environmental health must be stopped on this particular point!

    I can appreciate to some extent the concerns of those living close to festival sites in the UK but not sure why these people can’t either go and enjoy the festival or just go on a bloody holiday for one weekend a year… a matter of 2 persistent noise complainants in the ribble valley is causing severe issues for a festival that brings enjoyment to 10,000 people…

    Interested to hear your thoughts!

    Cheers.

  2. Bryan September 19, 2013 at 12:41 pm #

    Hi Greg, we were dancing 5 metres from the front (next to the man holding the Christmas Tree complete with lights). I thought your sound was good however I only stayed for one MBV tune. Perhaps the people at the front had listened to too much MBV.

  3. Mykul September 19, 2013 at 3:25 pm #

    Hi,

    Its so good to hear that your talent and contribution to UK Dance music is stronger than ever.

    Keeping the old, traditional vibe going, is as important as peddling the new sounds. One cannot exist without the other.

    As far as the decibel wars go, a jet aircraft pumps out on average 100dB on take off, a screaming baby 110 dB.

    When I Dj’ed in Holland, they were also very big on noise pollution after a certain time, but 100dB would be more acceptable ceiling.

    However, if festival organisers employ some good sound design in their choice of sound systems, monitor placement and creative use of absorbent materials, unnatural reverberation, standing waves and mid range reflections can be significantly reduced.

    For me, this is the direction things should go in, so better appreciation of music is possible.

    So, finally, as the festival season has ended, does that mean we will get to hear some special studio edits/mastermixes on your soundcloud page?

    Keep on…

  4. Lou Lou September 20, 2013 at 1:08 am #

    A dreamlike weekend. A perfect setting and I believe Sir Clough intended this place for this type of enjoyment.
    Thank you Greg 😉
    I have to say, as always, your talk was captivating. It’s funny you saying you’re not used to public speaking. I’ve always found you speak as if you’re talking one to one with someone. No matter who’s listening or how many. So be sure, you’re one of the finest storytellers. And you’re not a bad DJ either 😉 the sound was great where I was by the way
    Honoured to be part of a truely special experience. Thanks to everyone at no6 😉

  5. Nick Gray September 20, 2013 at 10:11 pm #

    Greg!
    Enjoyed your talk on an important era in British musical history. Hated it at the time (soulboy) but came to appreciate it in later years. Shame you didn’t have more time to get stuck into the subject.
    Best wishes,
    Nick

  6. glyn hughes September 22, 2013 at 7:57 pm #

    Greg…

    I must of been the only person on site to be unaware that there was noise restrictions implemented after a certain time so thanks for taking the time to explain the situation you where involved in… its ridiculous and your right it does need addressing…

    As always, you played an awesome set which got better and better as the night rolled on but with a cap on the limit, your hands where tied, such a shame… It’s a bit like watching your favourite football team at night and being told by health and safety that you can’t have the floodlights on (p.s. we would still stay, haha)… On a serious note, why book a headline DJ and then minutes before your due on, your told to zip it.

    I was near the front with friends, aware there was an issue but just enjoyed what you where doing and we all gave you a thunderous applause when 3am came…. If festival no 6 can reposition the big tops to get round the problem, perfect, If not then Id much prefare the last slot to finish earlier and leave you to do what you do best… Am sure the whole thing done your head in too and it is what it is but at £180 a ticket, I actually think it’s unexceptable…

    I hope you don’t mind me airing my frustration out on here and I hope they get it sorted for next year (I’ii be there)… It’s an awesome festival in a perfect location and will no doubt sell out next year, get your tickets early…A near perfect saturday listening to Kermit do his poetry, and then onto you for the evening but “ssshhh”, don’t tell the neighbours…

    Thanks Greg…

    Glyn

  7. Alex McKenzie October 8, 2013 at 4:02 pm #

    Hi Greg

    I’m sure it wouldn’t be a solution for many festivals (and maybe it’s completely impractical for any festival – I haven’t done the maths) but I wondered what the feasibility would be of some festivals doing a kind of silent disco (like the one you were involved with at the tate liverpool):

    http://www.youtube.com/watch?v=zqYbo10PUV0

    Actually I’ve just searched youtube and here’s some footage for a festival this year:

    Silent Disco at Electric Forest with Secret DJ!:

    http://www.youtube.com/watch?v=JNiXyxLUHMQ

    Is that realistic for Portmeirion? The party could last all night…

  8. Nate October 12, 2013 at 7:57 am #

    That saturday was the best line up of DJs I have seen. Had no idea on the sound restrictions myself, but hats off to the three of you, Mike, Norman & yourself for a top night. Will be back.

  9. Popty Ping October 12, 2013 at 10:57 am #

    Hi Greg

    I loved No6 and your set was really great. I’m from Wales and love Portmeirion. It gives me great joy to see people coming here and seeing that, for all its evident flaws and fristratrations, Wales is actually a pretty wonderful place! I think the festival presents a good image of Wales to the outside world, along with other festivals like Green Man , Hay and Laugharne.

    I go to a lot of festivals still, but not really to see djs on the whole. However, that was the focus for No6 and your set was the highlight – both for the set itself, but also because you clearly enjoyed it. So many djs seem to just go through the motions (no names)!

    I thought the sound levels were fine from where I was. it definitely wasn’t quiet! Then again, I am a tinnitus sufferer. In fact, dancing non-stop to your set was big step in me coming to terms with this affliction. When I developed it a few years back,music ceased to be a pleasurable experience and I completely lost interest in it. I’m working my way back slowly. So it’s really a thank you!

    I’m going again next time and it’d be great to see you there again in the future.

    Cheers

    Si

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