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Archive | August, 2013

Funk Night At The Haçienda

It was 30 years ago that I launched my specialist weekly dance night on Friday August 19th 1983 at The Haçienda in Manchester, then very much a club struggling to find its identity. It was a case of too much space and not enough people during those difficult early years of its existence (having opened in May 1982), and, as I’ve said previously, had it not been for New Order’s success (the band were co-directors of The Haçienda) it would never have survived – Peter Hook’s book ‘The Haçienda – How Not To Run A Club’ is testament to the follies of a group of idealists who somehow, despite their near suicidal naivety, managed to (eventually) shape the Manchester nightspot into one of the world’s most legendary clubs:
http://blog.gregwilson.co.uk/2011/01/hookys-book/

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From Garrard To Technics – How British DJs Began To Mix

From Garrard to Technics

In 2009 I wrote an article on the history of mixing in this country called ‘How The Talking Stopped’. It was the most in depth piece I’d ever written, the research alone had taken many months, including a couple of trips to the British Library in London to comb through the copies of Record Mirror they have archived there, for it was within this magazine that the person who I’d certainly argue did more to promote UK DJ culture than any other human being, connected (via his essential weekly dance column) with fellow DJs in every corner of the country. This was the literally larger than life James Hamilton (1942-1996), and if you’re a British DJ, whether you’ve heard of him or not, you can’t have escaped his influence, for he’s part of the very fabric of our DJ / club heritage.

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The Tears Of A Clown – A Classic That Nearly Never Was

Smokey Robinson & The Miracles 'Tears Of A Clown'

“Man goes to doctor. Says he’s depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says ‘treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up.’ Man bursts into tears. Says ‘but, doctor…I am Pagliacci.’ Good joke. Everybody laugh. Roll on snare drum. Curtains.”

Alan Moore ‘Watchmen’ (1987)

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