I’ve started a weekly show, ‘Greg Wilson Mix Sunday’, on Ibiza’s Mambo Radio, airing every Sunday afternoon between 1pm and 3pm. The show features either one or two mixes from my archives.
It’s a special night tonight, when we look back to one of Manchester’s great clubs, Legend, which was my Wednesday night home circa 1981-84. I’ve previously written about my much-treasured time there in a blog piece called ‘Legend – Manchester’s Other Club’:
The twentieth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
It’s that time of year again when I list 20 edits / reworks that have done the business for me during the past 12 months in the clubs and at festivals I’ve played at. The list, as it has been since 2012, is published via the Secret Life website:
The nineteenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
Otis Redding is my favourite singer of all. I became addicted to his records in the late ‘60s – my brother and sister had already brought a number of these into the house including ‘Mr Pitiful’, ‘I’ve Been Loving You Too Long’, ‘I Can’t Turn You Loose’, ‘(I Can’t Get No) Satisfaction’, ‘Fa-Fa-Fa-Fa-Fa (Sad Song)’, ‘Day Tripper’, ‘Shake’, ‘Tramp’ (with Carla Thomas), ‘Respect’, ‘Try A Little Tenderness’, ‘Hard To Handle’, ‘Amen’ and, of course, ‘(Sittin’ On) The Dock Of The Bay’.
This Saturday I’m back on my home patch at The Underground in Liverpool for a Freeze event playing alongside Belgian brothers Steven and David Dewaele, aka 2ManyDJs, who also make up two thirds of the band Soulwax. All the info here:
Bostonian John Luongo is someone who seemed to have slipped through the cracks of dance history – his legacy largely obscured, whilst that of his contemporaries, Tom Moulton and Walter Gibbons, has served to inspire a new generation of Disco enthusiasts.
The eighteenth edition of my ‘Discotheque Archives’ series for DJ Mag is now online, featuring more landmarks in pre-Rave club culture:
This photo popped up on Facebook recently, taken by Mark McNulty, whose visual documentation of Liverpool’s club/music scene of the past 3 decades is now part of the city’s cultural legacy. It’s a photograph of a record cabinet Bill Drummond made following the death of Roger Eagle in 1999, which was displayed under the title ‘Dead White Man’ in the Jump Ship Rat, an alternative gallery space in Parr Street during Liverpool’s inaugural Biennial Festival that year, but not as part of the official programme, more an anarchic fringe event.